Lazarus Day 2
Well the festive break is nearly over. The sock fairy has visited all of the good boys and girls (I was especially good and got many pairs of shiny new socks!) much beer has been drunk, and due to general merriment and family visiting I’ve been stuck away from an internet connection for almost an entire week. I’m back now though and the shakes have almost completely subsided.
Talking about shakes, there’s a reason why a lot of TV and films gets made in California. With its depressingly predictable, continuous, glorious sunshine you just know that if you shoot some external shot’s outside one weekend, the following weekend the weather will be the same. Not so in the land called Blighty, especially in the spring. I’m sure you’ve already guessed by now that on the 19th of March, we were grabbing the last of the external scenes. If not check the shooting schedule below.

Now to be fair I’m making a little bit of a mountain out of this mole hill. All of the scene’s we had to pick up on the 19th happened an undisclosed amount of time after the scenes we had shot the previous week, so it didn’t really affect the shoot at all. It’s just that I’m stereotypically British, I like warm beer, talking about the weather, and I’m crap at tennis.
We arrived at big Steve’s house in glorious sunshine. We drank tea, chatted, made up some zombies, loaded up the first car with a sound man, cameraman Ben (Algy) the director and one finished zombie and sent them off to the woods. Different woods from the first week, as we had been plagued by chavs on a dirt bike messing with our audio. The second car was little late in leaving as we had to finish the remaining zombies.
We arrived in the woods and quickly found the first car load already busy shooting. That is shooting Algy running around on an alien planet with a poisonous atmosphere with out a re-breather! Ah! Now to be fair all it took was 1 improvised line (“good job I don’t need to wear one of these!”) to ‘fix’ this error. And it’s unlikely, but if net nerds ever cotton on to TAoSB and start discussing it in online forums… Well they’ll slay us on this one!

However we quickly discovered we had another problem. Due to splitting props and stuff between 2 cars, and generally having no dedicated props master or wardrobe person we’d forgotten to bring the body armour that Brown is supposed to be wearing in his last external scenes. DOH! One of the drivers was dispatched back to Steve’s house to get it. Now to the average lay person most sets of black body armour look identical. Which explains why 15 minutes later the driver returned with the wrong set! I was mortified, but we didn’t have time to go and get the other set so we pressed on. Flash forward a couple of months to the premier of Lazarus and guess what? To the average person most sets of black body armour look identical. The director was right, no one would notice.

While we shot my one line cameo, Sarah delved in to her make-up box to mud up Ben. Now in November of the previous year, Ben had agreed that it would be really cool to shot the last of his woodland scenes, stripped to the waste and covered in mud, Predator style. Admittedly he was drunk when he agreed this. One look at Sarah’s specially prepared tub of mud make-up, and Ben decided that he wasn’t stripping. He also asked if we could avoid getting any in his hair. There’s a lesson to be learnt here; Ben’s a big girl’s blouse! No wait that’s not a lesson. The lesson is this. If someone agrees to do something when they’re drunk, get them to sign a contract before they sober up!

With day 2 in the bag we headed back to big Steve’s house where he promptly delivered the biggest bombshell of the production…
Talking about shakes, there’s a reason why a lot of TV and films gets made in California. With its depressingly predictable, continuous, glorious sunshine you just know that if you shoot some external shot’s outside one weekend, the following weekend the weather will be the same. Not so in the land called Blighty, especially in the spring. I’m sure you’ve already guessed by now that on the 19th of March, we were grabbing the last of the external scenes. If not check the shooting schedule below.

Now to be fair I’m making a little bit of a mountain out of this mole hill. All of the scene’s we had to pick up on the 19th happened an undisclosed amount of time after the scenes we had shot the previous week, so it didn’t really affect the shoot at all. It’s just that I’m stereotypically British, I like warm beer, talking about the weather, and I’m crap at tennis.
We arrived at big Steve’s house in glorious sunshine. We drank tea, chatted, made up some zombies, loaded up the first car with a sound man, cameraman Ben (Algy) the director and one finished zombie and sent them off to the woods. Different woods from the first week, as we had been plagued by chavs on a dirt bike messing with our audio. The second car was little late in leaving as we had to finish the remaining zombies.
We arrived in the woods and quickly found the first car load already busy shooting. That is shooting Algy running around on an alien planet with a poisonous atmosphere with out a re-breather! Ah! Now to be fair all it took was 1 improvised line (“good job I don’t need to wear one of these!”) to ‘fix’ this error. And it’s unlikely, but if net nerds ever cotton on to TAoSB and start discussing it in online forums… Well they’ll slay us on this one!

However we quickly discovered we had another problem. Due to splitting props and stuff between 2 cars, and generally having no dedicated props master or wardrobe person we’d forgotten to bring the body armour that Brown is supposed to be wearing in his last external scenes. DOH! One of the drivers was dispatched back to Steve’s house to get it. Now to the average lay person most sets of black body armour look identical. Which explains why 15 minutes later the driver returned with the wrong set! I was mortified, but we didn’t have time to go and get the other set so we pressed on. Flash forward a couple of months to the premier of Lazarus and guess what? To the average person most sets of black body armour look identical. The director was right, no one would notice.

While we shot my one line cameo, Sarah delved in to her make-up box to mud up Ben. Now in November of the previous year, Ben had agreed that it would be really cool to shot the last of his woodland scenes, stripped to the waste and covered in mud, Predator style. Admittedly he was drunk when he agreed this. One look at Sarah’s specially prepared tub of mud make-up, and Ben decided that he wasn’t stripping. He also asked if we could avoid getting any in his hair. There’s a lesson to be learnt here; Ben’s a big girl’s blouse! No wait that’s not a lesson. The lesson is this. If someone agrees to do something when they’re drunk, get them to sign a contract before they sober up!

With day 2 in the bag we headed back to big Steve’s house where he promptly delivered the biggest bombshell of the production…


